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We just returned from being a part of one of this breaking news event. We watched the first day first show of Om Shanti Om at the Red Carpet in Ahmedabad. There are some movies that inspire me to write about them instantly, and I’m writing within the hour of returning. However this time, I left the theatre feeling something was amiss. And then Deepa described it perfectly; she likened watching OSO to chewing gum. “It feels good while you’re chewing, but once it’s out you feel like cleaning the after taste with a plain old glass of water”.
OSO is something like that. It’s a re-incarnation flick with the first half set in the 70s and feel-good rendition of the Bell Bottom days in Bollywood fashion. The first half is extremely hilarious with great sequences, one-liners, clichés and everything one loved in those old Hindi movies. Must watch sequences include SRK’s ‘South Ka Rising Star’, ‘Bhago’ sequence that is aired in the trailers and the visual effects in “Dhoom Tana” song. Big props to Sandeep Chowta for re-creating the 70s background sound during the sequences between SRK and Maaa (Kiron Kher).
In the second half, SRK returns to his own self, Deepika re-appears inviting the biggest cheers and whistles I’ve heard in a while, the ‘Deewangi’ song with 30 odd stars and then starts the revenge track. Both halves have enough funny moments, slapstick and quality humour, intense drama and lots of Ms Padukone. But, you’ll enjoy the movie while watching it, but many like me might return feeling that something was missing.
The problem lies in the parallel storylines. There are two tracks in the movie. Besides the re-incarnation track, there is Farah Khan’s tribute to Bollywood of the 70s and today. I feel that this movie-within-the-movie track is so dominating that the intensity of the re-incarnation is lost at times. The eerie sequences in the second half add to the intensity but again make you lose focus of the re-incarnation track. Plus, a lot of things have been shown in trailers, revealed in press and the Dastaan song of the movie already. This leaves very little surprise element in the movie except for the eerie track. They say don’t search for logic in this kinda movie and treat it as a Manmohan Desai film. However, some of the sequences don’t do justice even to the lack of logic. The ‘Jag Soona Soona’ track comes without the audience really feeling for the actor. The way Arjun Rampal / SRK sequence switches from song to final dialogues in the climax left me searching for a missing reel somewhere. SRK adds a lot of energy in the first half, and is par excellence. His energy is visible in every frame and that’s the reason he’s where he is today in Bollywood. The movie belongs to Deepika Padukone – who has a dream debut. Going by the whistles – she’s bound to have a long career in movies. Arjun Rampal is a good Pran. But, the movie left me asking for more. It’s worth watching for the fun but be prepared to look for a glass of water to freshen your taste buds after watching.